Then I asked my son, Julian, to add a rap, and he sent back a great track within a few hours. The 23 page book has instructions, notation and tab. We had a $500 price point, but some kids said they still couldn’t afford it, so now we have one in the $250 range. Then I brought it to the band and we recorded it again. For “Untamed,” I had asked my keyboardist, Brett Williams, to bring me something for the record. technique groove bass tabs contact blog search cours.bassistik@gmail.com. His latest Blue Note album Afrodeezia, released earlier this year, is an incredible achievement on many levels. They’ll say, ‘I didn’t play my best on it, but overall, the music sounded the best to me.’. Line 6 Helix adds new amp and five effects with 3.10 firmware update, DADGAD tuning for beginners: 5 chords to start exploring with, The 25 best VST/AU plugin synths in the world right now: all the best soft synths you need in your DAW, In pictures: 68 pro guitarists' pedalboards, Washburn unveils a classy yet affordable acoustic line, the Deep Forest Ebony Collection, Best jazz guitars 2021: 9 recommended electric guitars for playing jazz, Pioneer DJ’s latest monitors are aimed at delivering club-style mixes at an affordable price-point. This one-on-one lesson with MI instructor Jean Marc Belkadi applies the slap bass techniques popularized by Louis Johnson, Marcus Miller, Victor Wooten and others to the guitar. “You know, we’ve got a new generation of bass players and I call them bedroom players because they basically play solo on a six-string bass. They’re more focused on sounds and placing things in the beat in a very specific way. He said, “When you come, I’ve got some surprises for you.” So I stopped by while we were on tour in Italy, and he pulled out a ported cabinet that had plenty of booty and low-end punch. S imply put, Marcus Miller is a living legend. This bridge has characteristics of a vintage jazz bass but with heavy mass saddles, giving the bass a vibrant and punchy sound. Covers basic “slap” and “pop” techniques in funk, rock, R&B, Latin and reggae styles. (his 2008 collaboration with Stanley Clarke and Victor Wooten), Miller firmly established himself as a bass icon, with a thriving solo career and a line of signature basses, strings, and amps—all while maintaining his music-mogul status as a composer and producer. Advanced techniques of anesthetic administration and updated treatment modalities have rendered root canals more effective and predictable at saving your dentition. Specific to the bass, I had already found a voice for myself using a lot of notes and playing percussively. So we introduced the head in four different power ranges [1000, 800, 500, and 250 watts] along with 4x10 and 2x10 cabinets. Marcus Miller SIRE V7 bass is equipped with the newly designed Marcus Heavy Mass Standard Bridge which was specially developed at the request of Marcus Miller. Since 1983, Miller has also enjoyed significant success as a solo jazz artist and bandleader. Marcus Miller has been a first-call bassist since the late 70s, when his distinctive jangly rhythmic sound seemed to be on every jazz and funk cut of note—from “Just the Two of Us” with Grover Washington, Jr. and Bill Withers to “Power of Love” with Luther Vandross. “However, if you’re supporting a band and you’ve got other instruments in the mid-range and you’ve got other instruments in the high-end, your job might be to supply a really fat solid bottom - the more traditional role of the bass! Julia had the immense pleasure of interviewing the legendary Marcus Miller about his musical vision and took the opportunity to ask him about his playing techniques! I have a movie score upcoming that I can’t talk about yet. He said the first one pulls the highs down and gives the bass a thicker, more classic sound. It's track nr. Plus since the promoters and halfwits at the radio stations here in Chicago always trot out the same tired acts its nice to imagine I'm at a Marcus Miller show. From there I became [Miles Davis producer] Teo Macero, listening back and picking out parts and melodies to form the song. Just where do you start with a musician like Marcus Miller? But I love that deep, fundamental bass you find in hip-hop—I love having that component on my tracks. The musical approach and concept were inspired by Miller’s role as a UNESCO (United Nations Educational, Scientific and Cultural Organization) Artist For Peace and as a spokesperson for that organisation’s long-running Slave Route Project. A community for those who are interested in developing their bass playing and musicianship skills. I asked about the two knobs on Markbass heads that say VLE and VPF. This bridge has characteristics of a vintage jazz bass but with heavy mass saddles, giving the bass a vibrant and punchy sound. Plus, they weren’t musicians—largely the result of not having music and instruments in schools—so it became very raw. After another dozen years of augmenting his multi-Grammy-winning skill set via countless album sessions and jingles, producing a wide range of artists, and film composing, Miller officially changed the course of bass with his 1993 solo effort, The Sun Don’t Lie. You know, it can take me a while to find the right headspace when I’m writing music or when I’m getting ready to go onstage. © But people forget he started as a guitar player, so he also embraced the guitar part of the bass guitar—using distortion and effects, and playing upper-register chords and fills. John Patitucci saw the movie, and he called to say he could tell it was me. Bass-wise, I have synth bass and my Fender on the bottom, and every four bars they play a descending line together that sounds like elephants running through the room. The story is focused on one of Marshall’s early cases, in 1941, so there wasn’t going to be any electric bass on there. “I don’t drink and I don’t smoke. They got it straight away! “When I think of the guys that really made an impact on me - Jaco [Pastorius] played a 1962 Jazz Bass, Stanley Clarke plays an Alembic bass, Victor Wooten plays that Fodera, Larry Graham plays a Fender Jazz Bass and James Jamerson played a Fender Precision. They stripped it down. He explained that was the result of meeting the demands of the artists who were using Markbass amps, who had come by the factory. We’ve also added some features at the top of the line: body tops, heavier hardware, different pickup and preamp options—stuff that allows you to trick out the bass a little. It was a Hendrix-y tune written by [bassist] Alex Blake that had a bass line I never forgot [see music, page 32]; sometimes when I’m soloing I’ll slip it in, because I dig it so much. It was a groove we were messing around with during Afrodeezia, and it came back to me in New York. Young musicians can be so focused on their own thing so when they listen to music, they listen to their own instrument. You can expect thorough, effective treatment of your teeth with no pain during the procedure. I was thinking early Duke Ellington, and I had Wynton Marsalis and some of his Lincoln Center Jazz Orchestra musicians play on it, as well as [saxophonist] Jimmy Heath. England and Wales company registration number 2008885. I was listening to live versions and I found one we did in Germany, and I mashed that up with the studio version. Mark King's top 5 tips for bassists and other musicians. There was a problem. There are always people around after every concert wanting to invite you to hang out at the bar or wherever and it’s very dangerous. For me, harmony is that magic place where you can find flavor. Then he brought out a head. What has been its main impact on your playing? This is an all-around bass that is suitable for fingering, slapping, and other techniques and styles of playing. Marcus Miller is a musician's musician. So we adjusted the range of the EQ knobs so you can turn them without wrecking your sound. The fretless is my Sire V7 5-string. You seem to be enjoying your SiriusXM Satellite Radio show. It was so early that we were playing it live before I finished the album. And of course there’s his gift for layering basses, including synth bass, foundational bass guitar, and 4-and 5-string fretless forays. Marcus Miller sat down with Julia to talk about his career, finding his own sound and how you should approach your solos. ‘Marcus Miller’s Sire J-Bass model has been widely admired since its launch for its practical playability and no-nonsense price point. I’d been with Fender for a long time, and doing a Marcus Miller Squier model didn’t sound so exciting to me, so I decided to try this, not knowing that it would get so big. So he headed into the studio with his touring band to bust out their take on contemporary urban grooves, filtered through the historic lens of black music. Bending your rhythm to match a drummer or a guitar player and really learning how to work in a group is important. I wrote the song for my dad, who would accompany me on piano for woodwind recitals when I was a kid. You close the album with your bass clarinet feature, a redo of “Preacher’s Kid,” from Afrodeezia. The response to the video has been incredible. The title refers to black music being the foundation of a lot of contemporary music, and how it shares roots with early blues, jazz, R&B, and rock & roll. BA1 1UA. Larry, of course, had a profound impact on me, having invented slapping. I came up in the studio scene, where we played basses that sounded good direct. “No Limit” is one of my favorite tracks. Sponsored content. Born in Brooklyn on June 14, 1959, and raised in musically rich Jamaica, Queens, Marcus parlayed early studies on woodwinds and the bass guitar into an unparalleled breakout. “I’m trying to expand while keeping the essence of my sound—seeing how many different ways I can still sound like me.” So says Marcus Miller addressing the many shades of bass found on his latest album, the straight-up throwdown Laid Black. I added a third section, where Sela improvises and Adam Agati plays a killer guitar solo, to give this version a different flavor. But the bottom line is they all sound great; you can use them in the studio right out of the box, and I have. All rights reserved. Nothing is incidental; the programmers work on the same four bars for like two days. “But I think, in the long run, man - and I’ve been around a long time - I think it’s really benefitted me to keep myself together. I see a lot of discussion about Victor W. and Marcus M. and their double-thump or double-thumb technique - but I am interested in the double-pluck. Hello, I have been trying to play a song by Marcus Miller for a while and I cant figure out the technique he is using to play it. How did you connect with Markbass for your new signature rig? I'm a huge Marcus Miller fan so take it with a grain of salt but this is an outstanding performance. In the late ’70s, R&B had become very produced, with layers of keyboards and strings. It was originally supposed to run one hour, but I go close to three hours—and I don’t mind stopping a record and saying, “You gotta hear this part again!” It’s like hanging out in the basement listening to records back in the day, as [drummer] Kenny Washington did with me. I was like, “Where were you hiding this?”. Double thumbing is a slap technique whereby we slap through the string (rest stroke) with a downstroke before using the upstroke to get an extra note in that single motion. Our band leader would show us a groove with bass and drums, and we’d start playing the groove and he would say, ‘Okay, you all keep playing that. Since his heady introduction to the New York studio scene in the mid-70s, he has worked with a who’s who of R&B and pop superstars including the likes of Luther Vandross, George Benson, Stevie Wonder, Aretha Franklin, Eric Clapton, Al Jarreau, Paul Simon, Whitney Houston, Jay Z … I had interviewed Verdine White in his home music room for my SiriusXM show, right after Maurice White passed, and talking to him and seeing the gold records that lined the walls inspired me to do a cover. I draw a parallel to when the “Great American Songbook” era ended and rock & roll came in and stripped music back down to its core elements. Sire Marcus Miller Fretless – The Fretless range of Marcus Miller basses captures the clear punchy tone of their fretted range with the smooth tonal response and silky feel that you can only get from a fretless bass. “This is just something to consider. All the drummers wore headphones, and there were tracks and loops running. She thought it was beautiful, but a little too basic for me, so I went in and re-harmonized the final A section. Marcus Miller, Laid Black, 2018, Blue Note; Afrodeezia, 2015, Blue Note; Renaissance, 2012, Concord; Marcus, 2008, Concord; Silver Rain, 2005, Koch; M2, 2001, Telarc; Live & More, 1998, GRP; Tales, 1994, PRA; The Sun Don’t Lie, 1993, PRA, Basses 1977 Fender Jazz Bass, Sire V7 4-string and fretless V7 5-string, fretless Mayones Patriot MR 5-string, 100-year-old French acoustic bass from Stein on Vine, Nord Stage 3 keyboard bass Strings Dunlop Marcus Miller Super Bright (.045–.105, .125) Rig Markbass Little Marcus 1000 head, two Markbass Marcus Miller 104 cabinets Effects Custom M2 Rodenburg Overdrive/Distortion, MXR M288 Bass Octave Deluxe, MXR M77 Custom Modified Badass Overdrive, Fulltone OCD Overdrive. You play upright exclusively on your soundtrack for Marshall, Reggie Hudlin’s film about Justice Thurgood Marshall. It’s so easy - especially when you’re travelling on the road - to not get the right sleep. So you’ll hear everything from Slim Gaillard and Louis Jordan to Derrick Hodge and MonoNeon. They were amazing.”. I get it in theory and I have a pretty good 'standard' thump/pluck technique. “You just need to be aware of where you are and what might be necessary from you. But those are not the only hats Miller’s famed ’77 Fender Jazz Bass wears. At age 21 he was simultaneously playing, producing, and writing for Luther Vandross, David Sanborn, and Miles Davis. UK Bass Guitar Magazine reviews Marcus Miller heads and cab. “But when I went to play with these Senegal cats, the rhythm was the easy part! They sent me the beat, the changes, and the muted trumpet part. We’re going into year four, and I’m having a blast. June 25, 2018, 11:58 a.m. Bass Guitar Magazine has reviewed the Little Marcus 250, Little Marcus 800 and Marcus Miller 102 CAB in their last issue saying: "Used together, this is a rig to be reckoned with. We get a lot of 14-and 15-year-old hip-hop fans coming to our shows who are loving the musicianship; they want to get out of their virtual worlds and go see bands play and sweat. Visit our corporate site. How did you put together “Keep ’Em Running,” your nod to Earth, Wind & Fire’s “Runnin’”? Born in Brooklyn on June 14, 1959, and raised in musically rich Jamaica, Queens, Marcus parlayed early studies on woodwinds and the bass guitar into an unparalleled breakout. They’re light, not too expensive, and they sound great. “I still have my Fender, which I’ve been playing since I was 17 years old, and I play my Sire fretless, and my … The song im talking about is Mr Pastorius. A modern master of the electric bass, Marcus Miller has been landing dream gigs for the best part of 40 years. “7’T’s” has a guest solo from Trombone Shorty. I use a synth bass for the foundational bottom and my ’77 Jazz Bass for the melody. Sire Guitars’ Marcus Miller V7 5-String Bass really caught me off guard, more about that after the details. # Try to hold down (i.e. Visit our corporate site. I said, “Let’s rename it OLD SCHOOL.”. Marcus Miller isn’t known for his double thumb technique to the same extent as Victor Wooten but like every other aspect of his playing, Marcus is a virtuoso of the highest order! Coming off the ambitious, globally recorded Afrodeezia, Miller’s impulse was to lighten up and relax a bit. I’ll do that. So I put that in, and I called Alex to let him know. They know how to play beautiful and very technically interesting things, but they kind of miss the main reason for playing music! Aug. 27, 2018, 1:50 p.m. UK Guitar Interactive Magazine reviewed Marcus Miller signature head and cab in their issue #58, including also a video test. This entertaining instructional DVD shows you how to enhance your vocal performance by introducing you to many of the techniques used by some of music's biggest stars. You will receive a verification email shortly. All rights reserved. I’ve got to do a little bit more work than somebody who just smokes a spliff or something, you know what I mean? I just then had to work on the notes because some of them weren’t necessarily jazz musicians, so some of my notes probably sounded a little from outer space for them. Thank you for signing up to Bass Player. Guitar World is part of Future plc, an international media group and leading digital publisher. They’ve even figured out how to play busy and creatively, while retaining the hip-hop vibe. You’re going to get fired but, as a musician, you can get away with a lot. It’s like a pop song someone would write lyrics to, but I’m only hinting at them, singing around the title at the end of the choruses. With both a classic and modern feel and design, this new bass can produce the desired sound for all genres of music from soft to even strong metal grunge. That’s the rhythmic DNA of hip-hoppers, having come up with drum machines. “I don’t drink and I don’t smoke. “I would advise bass players to go and play with other musicians, every opportunity they get. He said, “Just roll the tape.”. The song is my take on trap music, which is a Southern hip-hop style that uses a [Roland] 808 drum machine playing at a slow tempo, with double-time snare fills, and a button that produces a distinctive-sounding roll. And this includes me, too, because I’ve been playing the same [Fender] Jazz Bass since my mom bought it for me in 1977. I started with two themes, one on piano and one on upright bass, and Reggie chose the bass theme—so the upright became quite prominent as one of the lead voices of the film, with a couple of main themes. What led you to cover Sly Stone’s version of “Que Sera Sera,” and how did Larry Graham’s part influence what you played? The key is figuring out how to use it and be recognizable. Bath stop) both the D & G-strings on the 9th fret with your index finger: this will allow you to play the phrase faster (The Marcus Miller song Power uses this technique with all of the strings being barred at the 7th fret position). © This is helpful if you want to "get down" without a drummer. “They didn’t walk around with five basses and say, 'For this song, I’m going to play my blahblahblah…’ They were connected to their instrument and their voice became that instrument.